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"if you're not serious, don't say it"

by Parker Lee

supported by
Richyy hetherington
Richyy hetherington thumbnail
Richyy hetherington So love this it's goosebumps in Nazca when it goes the 'Station's closed on snowy days"
Favorite track: nazca.
Yvette
Yvette thumbnail
Yvette it's holy ghost but good. Favorite track: faded "heroes" sleeve.
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    A/B side cassette tape of "if you're not serious, don't say it" by Circle House Records. Limited to a run of 15.

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1.
nazca 03:39
give up - give a little time waste it as if it wasn't mine when you stack up all your yesterdays and your hands grow older than your face, is it fine? can you read the major lines? sell it like i was never there harmless as long as you don't stare when the sea gets covered by growing vines and my phone sings me to sleep at night, am i fine? can i write a better life? i thought i saw you on a railway but the station's closed on snowy days it's true - i see you all the time and i'm stuck for months in a seaside town reading the signs with growing frowns it's you - writing off deadlines
2.
size nines 03:02
call it off, if you're still down to talk can you read my letters upside down? because i'm hanging from the ceiling, always my shoes above the door i've got friends who see me and friends who i ignore and a parking lot is hard to walk upon when the concrete cracks the same way every day but i'm drawing a map despite this respite, "i'm here to talk" the pain in my feet there always shaving off my thoughts see, all the books i read make no difference in between a stray dog in the street and in this dark i think she's lost
3.
horizontal 00:50
i feel you're wasting your time here i can see it in your stride as you walk on by i think you've had enough to drink, repulsive things you say get more and more refined you say it's fine but i'm getting sick of this east-west divide divining what you say from where you stand, and not the letters that you write there's a lot to do, so do it - i'm not pushing you this time i trust you have the strength for just a few lines
4.
is it safe to say i'm sorry for what i've done? lying down on a slated floor, my wrist begins to run i was coughing out my ribs after just a couple hits of every small aggresion i've known taken at once is it cool to stick around for the lights-off? come and see me in my room, always speaking off the cuff and just like children build toy houses out of plastic blocks and boxes i'm just looking for a refuge to call my own but it's cool, and it's calm - it's difficult outside and the fear stacks in twisted assembly lines ecstatic gears, and wasted years, lack of willingness to grow but it's still cool to be here, romanticised or no is there a bullshit mathematic for where i stand? fingers crack to spinal tap, and my doubt's gone with the lamp so follow me to the ceiling at the apex of your breathing i've got with me every single thought i need try to regain some duplicity like amelia earhart disappeared in ciphered breeze difficult to find the place inside the atlantic where it was made but it's still you in that blank haze
5.
your stepfather gave to me a collection of his old CDs that were gathering dust on a pinewood shelf at the centre of the earth that was your house remember you in your room irreverent in your self-inflicted wounds and the guesture of you turning away diffused our moods, it gave our bones some space you always needed more than me i see you move with me - you fold a faded "Heroes" sleeve into something blunt, something to take away an object monolithic in its power to absorb names and i hated it, the way you spoke, i found solace in your teeth and my ingrown clothes so take them away with the driver's seat i was saccharine green, you were expertise it's my duty to pull the black card twice it's all i can take in sheet mental ice it's a gating system that pulls away while all i do is shout for someone else's name nothing i ever said was anything but an arrow towards your head and everything you hate, there was so much more spread out into a red target on your bedroom floor
6.
boston 03:33
on a parkside bench besides the end of all the rest there'll be drawings of hands all on the floor and we're arguing over the size of your plans and the size of the stars between steel bars on a loose end, poor excuse for regiment do you wanna be lined up on a wooden floor? biting that someone you once called friend could take a second chance to leave a second scar maybe this is a one-time thing i'm clinging to my hopes that you can set aside your knives for now never cared that much for what you say asking questions about where i want to be can we exclude the future for a while? and i'm with you in boston, i think you're getting dressed i hear you on the phone you're sounding like a magistrate, tossing words through an understanding that i don't know i'm out of change, i can't swallow this kind of change i'm not made for digging holes all on my own despite the things i said, i am missing you to death so leave a message, i'm coming home i'm a skeleton at best - i don't need you in my chest just another organ that i can't call my own and i'm with you in boston, i think you're getting dressed i'm with you on the phone you're sounding like i'm becoming second best i don't need a contender to hold my own give it a rest - take it to sundays past when i was still around and you were worth the show
7.
luna 05:02
maybe what i need isn't a cog in a machine but a nudge in right direction back to you your footsteps followed suit, over a better thing to lose and you know it's such an awful thing to know give it all to me, i am the pipes beneath the streets redirecting all your fears to somewhere new it's easier like this, i'll take the burden if you wish and set it off when all your sails come to shore sometimes i expect the moon to fall out of the sky and crush me while i'm standing next to you
8.
lost in a metro, when you rear your head and talk tell me something sweet, tell me anything you want straight line knife-edge, you can fit anywhere at all but it's probable you'll settle on my bathroom floor and the trapped nerve knows its place in a quiet radio where we can sit, we can let transistors give a subtle glow chewing chalk, you spat out something dark and tall under mottled pendulum, you swing into your fall forgive me if i seem serpentine or uneasy go home alone, i'll stay and feel umbilical crossed a bridge, then everything got very cool

about

it's been a long time coming, it's not up for debate
you've been a hollowed-out apple, though you're standing up straight

credits

released June 18, 2019

recorded by annie prior, harry volker and jowan mead
mixed by annie prior
mastered by isaac mcinnis at crooked room studios

jowan mead - vocals, guitar
ben woods - guitar
annie prior - guitar, drums, synth, feedback, bass
mike gardner - bass

mikey donnelly - vocals on size nines
jordana nye - vocals on nazca, faded "heroes" sleeve, luna
joey donnelly - trumpet on nazca, horizontal
gabriel ortona coles - cello on luna
tom drath - noise on luna

album art by jowan mead and ben woods

thanks to harry volker, ellie milne, kieran alexander, aidan coull, sofia and keith verbilla, joey and mikey donnelly, joe coates, yvette pyke, nicholas dann, jordana nye, gabriel ortana coles, johannes wibroe, the jerry boys, and you

listen to mikey's music:
daddyissuesrecords.bandcamp.com/album/promises-ep
listen to joey's music:
daddyissuesrecords.bandcamp.com/album/beech
listen to jordana's music:
soundcloud.com/jordananye
listen to tom's music:
deerbus.bandcamp.com
listen to annie's music:
whetherballoons.bandcamp.com

"if you're not serious, don't say it" is the product of over a year of hard graft and emotional disarray by york 4-piece Parker Lee.
we have tied up singer-songwriter-spectronizer Jowan Mead's ruminations on generalised anxiety and existentialism in romance with thick, buttery layers of distortion, courtesy of metastatized genius Annie Prior's production flair.
nonchalant electric guitar curated by plasma-chiptune-physicist Ben Woods dances across the 8 pages of our informative pamphlet, grounded by Annie's explosive hyperthyroid drumming and the low primordial hum of Mike Gardner's bass.
this is our forgiveness rock record, and we hope you enjoy it xo

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about

Parker Lee York, UK

lo-fi for the dividing nights

jowan // annie

get in touch; parkerleedawg@gmail.com

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